Category Archives: Equitation

Two Tracking Two

Back to the subject of “two tracking”, or lateral movement of a horse. I’ve discovered that people and horses both tend to avoid performing lateral movements of the horse’s hindquarters. The horses don’t like it because it’s hard to do, and they would rather do things easily and efficiently, rather than elegantly and athletically. People have a similar problem, because using the legs to signal a horse is difficult, but also because we seem to have a penchant for using our hands (even though most of us don’t spend a lot of time hanging from limbs anymore).

Watch a youngster or beginner try to open and close a gate horseback and you’ll see what I mean. First the horse won’t “parallel park” next to the gate to allow the person to reach the latch. Then, the horse wants to push the gate open with its nose.

Moving the hindquarters starts from the ground. When you are working with the horse at halter, stand near his shoulder, and with a stick or light dressage whip, softly tickle his ribs near where your leg would be if you slid it back from its normal resting position. If he doesn’t step over, get a little more insistent with the stick until he takes a step away from you. At that point stop asking him immediately, and stroke his neck with your hand. Now go around to the other side and repeat the procedure. Do this on both sides until he moves away from the touch of the whip as light as a fly landing on his hair. Every day when working with the colt do the exercise until it is so routine that all you have to do is touch his rib cage to move his hindquarters over as much or as little as you need. This is the flexion of the haunch, and is an important building block for collection, either in a cow horse or a dressage or dancing horse.

Considering the Pedigree 

OK, I’ll admit it, I get a little irritated with some of the ideas I hear and read about horse breeding. It seems that often decisions about what stallion or which mare should be used to produce the next generation are not based on useful information. As a rider and trainer, in fact a trainer frequently of last resort whose work might make the difference between a horse finding a useful life or work versus being shipped off to become “dog Tucker” as they say down under, I feel that my words need to be heard.

First I ask, what is a horse to be used for. If all we want is a pasture ornament, then you can stop reading here. However if you are a rider, or a driver, someone who puts his or her pink (or brown or black or yellow) body in the middle of their back or God forbid in a wheeled vehicle dragging behind them, I submit that you will find that there are a constellation of traits that need to be considered in breeding horses. 

Simply put a horse needs to be sound, that means sound of mind as well as sound of body. Additionally a riding horse needs to be smooth, whether a diagonally gaited horse or a laterally based gaited horse, no rider truly wants to be banged around and made uncomfortable. Unfortunately a horse can be made to look smooth by the way he is ridden. And horse shows can be misleading as a breeding selection criterion. Judges only have a short time to sort out a class of horses. Breeding decisions should be made slowly and deliberately, taking in all the available information, not just breeding to the “in vogue” national champion. 

Sound of mind also means trainable. Horses need to be friendly and willing to use all their wonderful power and speed to help us not to hurt us. Fear is a natural trait in a prey animal, but a saddle horse, and particularly a driving horse, needs to have self-control. Everything else is details.

What is Lightness?

“What is lightness?” I am asked. My answer is that it is a way of riding in which you don’t feel pressure, and after careful training, neither does your horse. You ride balanced on his back and do all kinds of things with no more effort than thought and slight movements. “You think it”, “they do it” or “balance and signal” are the mottos of riding in lightness. It’s the way old reining masters rode, the California Hackamore and spade bit vaqueros.  It is the horsemanship of the Iberian bull fighter, the rejoeador. In lightness is the secret of the horse whisperers who ride Roman on two horses backs while four other horses gallop alongside, doing circles and going over jumps with no tack nor harness. It is a type of horsemanship that is millennia old and it is based on understanding the language, limitations and attitudes of horses. If you put ground and liberty work together with French classical equitation and a lot of imagination you will be pretty close to finding true lightness and harmony with your steed. Experience counts a lot, open mindedness helps, but the real key is the good fortune and blessing of finding a mentor. These are people who pass down wisdom and techniques garnered through the ages from their mentors in turn. Mentors have knowledge that they have suffered to learn and are willing to share with pupils who are going to work to achieve results. I must say that I have been blessed with a number of these mentors and I often have not thanked them enough. So if you are out there still, here is my deepest thanks, and I honor you, and praise your patience, and forbearance and guidance and knowledge.

More Detail on Performing Shoulders In

I thought a little more detail on performing the shoulders-in might be helpful. After all, it’s taken me since 1971 to even begin to understand it as well as the half halt. When we question why we are putting ourselves through this torture we have only to bring to mind that magical Olympic musical freestyle, or that reining horse who danced like a ballerina. When we have ridden a performance on a truly collected horse we get that silly grin and start to giggle – that’s so cool!

That springy, dancing movement is the result of your horse converting his forward movement to shifting his weight onto his springy hind legs and slowing his cadence,while exerting more effort to jump and elevate his shoulders and withers.To get this, walk your horse along a fence. Get a good energetic walk. Now, slowly turn your body away from the fence, facing inside the arena. You will turn your shoulders and also your rib cage. You and will look to the inside, even a little behind as though to see if you’re being followed. Along with your shoulders, your arms, hands and reins will come to the inside, holding the horse’s shoulders off the fence a little. This will give you the angle. The bend will come from the action of your seat bone. As you rotate, you will naturally increase weight in the inside seat bone. It may help a little more if you actually lift your outside seat bone! Finally, to keep forward movement, your thigh and calf will slide back away from the girth and press a little. Because you are pushing your own inside leg at the same time as the horse moves his inside leg, he will begin to cross over as he moves. This is the point of the shoulders in exercise, to help your horse to cross his legs and bear more weight on his hind legs. At the same time, your hands will need to squeeze ( not pull) to lift and reduce the movement of the outside shoulder. The mantra of dressage is “inside leg into outside rein!”.